Killing as a Moral Barometer in Macbeth :: Free Macbeth Essays

Killing as a Moral Barometer in Macbeth In William Shakespeares blowout Macbeth, the title character is a killer. Through the course of the dramatic event, he kills quint different people or groups of people, one in each act. These are, respectively, Macdonwald, Duncan, Banquo, Macduffs family, and Young Siward. These tailfin killings are different. In the beginning, Macbeth kills for his king. He then suffers a fall from grace before finally becoming a noble figure again in the end. But more interesting than this process is the way in which Shakespeare shows us the changes in Macbeths character. Shakespeare uses the killings as a sort of barometer to illustrate these changes. Before the play begins, Macbeths Scotland and Norway charge up a war. In this war, Macbeth is a hero, admired for his courage and strength But alls too weak For brave Macbeth (well he deserves that name) Disdaining Fortune, with his brandished steel, Which smoked like bloody execution, the likes of valors minion, carved out his passage Till he faced the slave Which neer shook hands, nor bade farewell to him Till he unseamed him from the nave to th chops And determined his head upon our battlements. (Captain, 1.2.17-25) The killing that the Captain describes here is Macbeths most heroic killing. The Captain admires him for his remarkable bravery. The other members of the Scottish court continue in praising him. Macbeths pauperism for killing here is, unlike all his later murders, not a personal reason. It is a selfless, courageous, heroic deed that is thought to be able to remedy Scotland from utter destruction. Shakespeare uses this killing to introduce the audience to Macbeth. Here, we see Macbeth as a hero. This is possibly the most potent way in which Shakespeare could introduce Macbeths heroism to us. What could be more heroic than killing for ones king? Similarly, what could be so evil as killing ones king? Macbeth, thanks to his bravery in the war, is made the Thane of Cawd or, divulge of a three- unwrap prophecy given him by the Weird Sisters. Macbeth yearns to complete the prophecy and become King. Yet at this point, Macbeth is torn between killing and not killing. He is loyal to Duncan Hes here in double trust/First, as I am his kinsman and his subject,/Strong both against the deed then, as his host,/Who should against his murderer shut the door,/not bear the knife myself.Killing as a Moral Barometer in Macbeth Free Macbeth EssaysKilling as a Moral Barometer in Macbeth In William Shakespeares play Macbeth, the title character is a killer. Through the course of the play, he kills five different people or groups of people, one in each act. These are, respectively, Macdonwald, Duncan, Banquo, Macduffs family, and Young Siward. These five killings are different. In the beginning, Macbeth kills for his king. He then suffers a fall from grace before finally becoming a noble figure again in the end. But more interesting than this process is the way in which Shakespeare shows us the changes in Macbeths character. Shakespeare uses the killings as a sort of barometer to illustrate these changes. Before the play begins, Macbeths Scotland and Norway weigh a war. In this war, Macbeth is a hero, admired for his courage and strength But alls too weak For brave Macbeth (well he deserves that name) Disdaining Fortune, with his brandished steel, Which smoked like bloody execution, corresponding valors minion, carved out his passage Till he faced the slave Which neer shook hands, nor bade farewell to him Till he unseamed him from the nave to th chops And stock-still his head upon our battlements. (Captain, 1.2.17-25) The killing that the Captain describes here is Macbeths most heroic killing. The Captain admires him for his remarkable bravery. The other members of the Scottish court continue in praising him. Macbeths occasion for killing here is, unlike all his later murders, not a personal reason. It is a selfless, courageous, heroic de ed that is thought to be able to render Scotland from utter destruction. Shakespeare uses this killing to introduce the audience to Macbeth. Here, we see Macbeth as a hero. This is possibly the most potent way in which Shakespeare could introduce Macbeths heroism to us. What could be more heroic than killing for ones king? Similarly, what could be so evil as killing ones king? Macbeth, thanks to his bravery in the war, is made the Thane of Cawdor, part of a three-part prophecy given him by the Weird Sisters. Macbeth yearns to complete the prophecy and become King. Yet at this point, Macbeth is torn between killing and not killing. He is loyal to Duncan Hes here in double trust/First, as I am his kinsman and his subject,/Strong both against the deed then, as his host,/Who should against his murderer shut the door,/not bear the knife myself.